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BLACKBIRD SOUND
SOUND DESIGN & AUDIO POST PRODUCTION FOR
FILM, TV & PODCAST
Sound Editorial
Our talented and award-winning team of sound editors, designers, field recordists, location sound recordists and foley artists bring together their extensive film and high-end TV experience from across genres and platforms to provide full sound production for film, TV and podcast; constructing immersive, compelling, auditory landscapes with depth, atmosphere and authenticity.
Mixing
We collaborate with a roster of renowned re-recording mixers and can fully tailor your project to suit budget, deliverables and platform.
Our studios
Our team works from high-spec cutting-edge satellite foley and sound editing studios, and comes together at a larger, high-end Bristol post facility (to include, as desired, picture post and all of the other services you may want from a fully-resourced facility) for the final mix.
If you want to pop in on the tracklay, our HQ is our Berkeley Square studio, just off the Clifton triangle.
Natural History / Environmental Documentary
Our sound editors and designers are valued by producers and filmmakers for their genuine passion and knowledge of the natural world.
Our supervising sound editor Nicholas Allan has previously provided sound effects and full sound editorial supervision for numerous natural history series, and together we have provided sound design for several award-winning and acclaimed feature-length impact documentaries.
Sonically Captivating
The content production landscape has provided scope for a new level of detailed and immersive sound. Driven by the sonic and spatial qualities of sound production, and with our passion and experience of high-end location sound capture we look for ways to move documentary – and, in particular, natural history – sound forward.
End-to-end documentary soundtrack production
During our 15 years in the industry we've observed the growing disconnect between recordist, sound editors, composers and production. This increases your workload, reduces efficiency and ultimately hampers the outcome of the final soundtrack.
We can advise on the early stages of your project, helping to work ideas and concepts into the fabric of the film. We then work closely, throughout, with the location sound recordist, offline editor and composer to ensure we have the best sound at our disposal and a seamless workflow.
We carry out the necessary audio media handling; ensuring that authentic location sound is recorded, logged, named and sitting on the edit timeline ready for your rough cut. This reduces the need for late editorial decisions, streamlines the tracklay process and helps prepare the project for a smooth and efficient final mix.
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